Spotted this in Ibiza this week as I was walking into Amnesia.
Blackberry are sponsoring the club this year and it looks like they’re taking advantage of BBM for news, ticket info and promotions. UPDATE: BBM users can get queue jumps and 1 in every 100 BBM users who show a barcode on their screen scanned gets in for free.
There’s definitely been more interest from clients wanting to use BBM over the last few months, but nothing solid as yet.
It doesn’t help that the BBM API is pretty crap, seems like RIM are a bit clueless when it comes to leveraging the only good thing they have going for them.
This is post I’ve been meaning to write for a quite some time now, it’s spawned from a number of conversations I’ve had with people in several digital and mobile agencies around London.
Aside from an odd 14-months at Nokia, I’ve spent all of my professional working life within agencies and it’s always felt like the right fit. The combination of creative and technical minds plus big brands has always had that lure and promise of creating amazing work. The process of getting a bit of paper containing a brief and turning it into a real life experience is pretty great.
So with all the right ingredients, creative juice and technical ability on tap I posed the question - Can The Next Instagram/Hipstamatic/Klout/Angry Birds Be Born Within An Agency?
Actually my question was more like why hasn’t this already happened? Why aren’t more agencies making bets and try to build products and services that would make venture capitalists in Silicon Valley jealous?
I’m not just talking about internal projects that agencies do in spare time (or better still, dedicated time) but for client work too.
In my opinion it comes down to a mixture of two things – clients themselves and agency culture.
The sad truth is that if you’re expecting a client to drop a brief and a lump of cash in your hand that sparks off The Next Big Thing™ then you’ll be waiting a long time. It’s rare to see a ‘big idea’ digital or mobile brief from a client that isn’t suffocated by its own bullshit.
Instead of spending the time to create a 50 page deck containing arrows and buzzwords, why doesn’t the client ever take the time to step back and think ‘Who the fuck is going to do this and why?’
Brands need to realise that the available hours and minutes of the people they are trying to reach are being eaten up by Facebook, IM, Twitter, Foursquare, Angry Birds and browsing the web. What makes them think that people are going to spend time interacting with yet another augmented reality app for any longer than a couple of minutes before getting back to flinging birds and reading tweets?
Adam Glickman makes the fantastic point on Fast Company:
Startups and agencies alike always ask themselves, “What is the problem we’re solving?” If agencies want to think more like tech startups, they might focus less on clever storytelling and more on utility. In today’s media rich, attention-poor world, offering people something of use is the best way to cut through the noise.
Nike’s “Write the Future” and the Old Spice guy were the year’s best ad campaigns. I loved them as much as anyone. But I didn’t spend more than a few minutes with either–I was too busy devoting my spare moments to a relationship with Angry Birds and Foursquare.
But we can do better surely. How about 1 million people using your app every day? How bout every hour? Year after year?
Do clients and agencies want to keep creating branded fluff or do they want to build temples?
There’s no reason Hipstamatic couldn’t have come from Kodak’s agency. Or a global agency build something like Klout or CoTweet and have brands and rival agencies eating out of their hands paying to use it.
Agencies are just as guilty as clients, we pander too much for their insistence of ‘new’. Too happy to take their cash in return for some bollocks app that might get your client a couple of pats on the back in the boardroom but ultimately will be forgotten by the 5000 people who used it for a week or less.
I keep thinking back to another quote from the article on Fast Company:
Tech startups begin with the big idea, then seek to monetize.
Agencies start with a budget, then seek the big idea.
Two guys on a limited budget can get together and build Instagram, getting 7 million users in less than a year, a couple of guys at Odeo can start a side project called Twitter and become one of the biggest things ever. But at agencies we are consistently unable to turn a app costing 5 or 6 figures into something that can engage people for longer than a campaign (if that).
There are realities of course, I’m no account manager but I know that calling out your client for lack of sense and ambition isn’t the best way to keep people paid and the lights kept on.
So why aren’t more agencies (mobile epecially) creating stuff off their own backs? I know first hand how many amazing ideas get binned in pitches and projects, why not take a punt and prototype one that could benefit the agency (or brand)?
In my personal experience there is a extreme fear of failure and lack of desire to do anything innovative outside of paid client work which stems from the very top of the organisation. There must be 15-20 mobile agencies in London at the moment, how many of them have created apps that were part of side-projects or R&D initiatives?
It’s not like there’s a lack of will. Here’s a little secret – creatives and developers are ITCHING to do cool, innovative stuff and have great ideas every day. Some of these ideas might just be your agencies ticket to new clients, press, talent or revenue.
Try this test – if you’re reading this whilst working in an agency, when was the last time the creative and tech team all got together to launch something fun and interesting outside of client work?
The majority of the time the answer is either ‘a long time ago’ or worst ‘never’.
How are agencies meant to stay relevant and keep staff engaged without exploring technology and ideas in this way?
There are some agencies leading the charge – ustwo (@ustwo) based in Shoreditch have a portfolio filled with a mixture of client work and in-house projects.
They have heavily invested in their own IP and openly talk about the risks they’ve taken, one app called MouthOff has made them £123,456 through sales and licensing to brands, whereas another cost £80,000 of studio time and “utterly bombed”. Did this failure deter them from trying again? Nope! They currently have another big project in the works. Remember that Twitter spawned from the failure of Odeo…
I think I’m slowly finding where I sit within this industry. In the past I use to think that winning a award was the ultimate recognition of great work and aspired to produce campaigns that might get a sniff of a D&AD or Cannes Lion.
But fuck that. I’d rather have users who love and regularly use my app/service than any advertising award out there.
I want to build great products that people love and want to use. I want to solve problems by combining awesome experiences with technology and data.
Can that happen at a agency? Or is the only place for this sort of desire at a start-up or going it alone?
I think Don Draper sums up how I feel in this epic quote:
For our latest mission we constructed a custom wooden lectern with a megaphone holster and an attached sign that read, “Say Something Nice.” The lectern was placed in public spaces around New York and then left alone. We wanted to see what would happen if New Yorkers were given the opportunity to amplify their voices to “say something nice.
For one night and one night only, 12 transformed W+K’s southwest elevator into an authentic early 90’s comedy club. Funny man Paul Wig, 12’s funny man-in-residence, acted as host and headliner. The elevator even had a bar, where Sara and Drew spent the night serving Mojitos and various alcohol and Cokes.
Isn’t agency life meant to be full of fun and creative stuff like this?
Last year I wrote a popular post called ‘Who Owns The Real Life Billboards On Google Streetview‘ which came about after Google registered a patent describing technology that could identify posters and billboards, giving advertisers the ability to replace real life ads with their own.
It generated some great comments and questions around who actually owns the space once it’s digital, noting that Sony was sued for digitally altering a billboard in the Spiderman movie.
But it’s not just Google use of ad space that raises questions, with augmented reality anyone can takeover billboard and poster space with whatever they want.
That brings me onto this AR app by The Public Ad Campaign and The Heavy Projects which turns all the billboards in Times Square into curated art pieces by Street Artists.
Check out the video below:
This is great, but how far do you think you could take it?
Let’s say you ran a augmented reality campaign for your client where you defaced all their competitor stores on the high street with virtual graffiti that promoted their new product or augmented the staff in the stores as clowns in a circus. Too far?
I first came across the Google Streetview photo collection ‘9-eyes‘ a few weeks ago, I quickly flicked through a couple of pictures thought it was cool then moved on.
Then today I was looking through a section on the Guardian called ‘24 hours in pictures‘ which shows a selection of amazing photos from around the world that day and realised how similar it is to 9-eyes.
When you think of Google Maps Streetview you probably see it in a very practical way, but actually it’s a snapshot of the world in that very moment. There are some powerful, crazy, funny and stunning pictures lurking in amongst it all.
Check out some of my favourites below, then head to 9-eyes.com.
Came across this lovely idea by Cameron Adams (who has some amazing stuff on his blog) where he used a iPad and web technologies to create fantastic visualisations of peoples drawings.
The iPad site prompted users to ‘Draw or write what inspires you’ then their scribbles were recreated as a 3D time-lapse visualisation on a big screen. The time and position of each stoke made by the users finger was recorded and used to make the 3D visuals.
In 2006 a young man called William Donelson went into a piercing shop in Ontario to get a RFID chip inserted into his hand. His goal was to be able to log on to his computer and unlock specially modified doors just by waving his hand at them. No more losing or fumbling with keys or passwords.
The same motivation has spurred Billy Chasen of Turntable.fm to create a door lock for this office that can opened by sending it a text message. No skin slicing involved.
There’s a couple of cool things this lock does:
When you text ‘close’ it will text you back ‘closed’ once it’s been locked.
If you text ‘status’ it will tell you whether the door is locked or not
Ability to create a whitelist of people that are also allowed to unlock the door.
It seems like I keep reading about more and more ingenious ways people are using the web to land the job of their dreams.
I wanted to pool some of my favourites into one post, starting with the latest stunt by Bas van de Poel and Daan Van Dam which they lovingly call ‘Twitter Job Hustle’
Their aim? To get noticed by the creative directors at top agencies including W+K, AKQA, Boondoggle and Poke, as well as companies like Nike and Google.
Result? They landed a job at Boondoggle! Check out the video:
Next up is Alec Brownstein, a copywriter from NYC who wanted to land a job at a awesome agency.
Alec’s approach was to use the power of Google Adwords (the ads that appear on Google search which anyone can purchase). Armed with $6, he purchased the top ad spots for the names of the creative directors he admired the most, in the hope that they would have egotisical moment and Google themselves.
Everybody Googles themselves,” Brownstein explained. “Even if they don’t admit it. I wanted to invade that secret, egotistical moment when [the creative directors I admired] were most vulnerable.
Once the creative directors Googled themselves they got the ad – “Hey, [creative director's name]: Goooogling [sic] yourself is a lot of fun. Hiring me is fun, too” with a link to Brownstein’s website, alecbrownstein.com.”
Alec got a call from ALL of the creative directors and was offered a job at Scott Virtrone and Y&R. He took the job at Y&R and is now a senior copywriter there!
Hi my name is Murat, I'm a freelance mobile creative and UX/UI designer based in London. I work mostly at agencies.
I like coming up with ideas and making things using web and mobile tech.
This is my personal blog focusing on mobile, creativity, agencies, innovation, advertising, thoughts, projects and stuff I find interesting.
You can say hello hereFollow @mutlu82